Our 2019 Month of Horrors Extravaganza concludes this week as we take on Rob Zombie’s 2009 version of HALLOWEEN II. What was once seen as a cinematic travesty is now heralded in certain circles as a modern-day horror masterpiece. But is there any truth in such bold claims? We try to get to the bottom of it all, white horse and all. Shockingly, what proves most divisive is Scout Taylor-Compton’s lead performance. We anxiously await co-host Luke to admit he is wrong. At least we can all agree that this is better than the last Michael Myers flick we discussed (ahem, RESURRECTION).
Monthly Archives: October 2019
Our Month of Horrors Extravaganza continues this week as we tackle 1988’s remake of the sci-fi classic THE BLOB, directed by Chuck Russell. A ball of gelatinous goo has crash landed into a small Colorado town, and it isn’t long before this alien substance starts making a meal of the local residents. The body horror is strong with this one, with lots of goopy practical effects that make us very happy. Kevin Dillon’s mullet isn’t half-bad, either. A pleasant, gross surprise awaits you. OK, we could have worded that better.
Our Month of Horrors Extravaganza continues this week as we discuss 2009’s DRAG ME TO HELL, directed by Sam Raimi. Alison Lohman stars as a meek loan officer who angers the wrong old lady and winds up with an ancient Gyspy curse. She has got three days to figure out how to stop it before she’s dragged to…well, you know, it’s right there in the title. Raimi is back in EVIL DEAD mode here, but is this a true return to form? All we know for sure is that we never need to see anything enter or leave Lohman’s mouth again for as long as we live. That came across as dirtier than we wanted. Sorry.
The week, we are celebrating both our Month of Horrors Extravaganza and our 100th episode by taking on Nicolas Cage in his most deranged role–1989’s VAMPIRE’S KISS, directed by Robert Bierman. The Cagester himself stars as a publishing executive who becomes convinced that he is turning into a vampire, resulting in whole lot of bug-eyed looks, random hip thrusts, and an accent that can best be described as “unidentifiable.” And just when we thought things couldn’t get any better, the man puts in some plastic fangs. This could be a masterpiece.
This week, we kick off our annual Month of Horrors Extravaganza by taking on 1996’s teen thriller THE CRAFT, directed by Andrew Fleming. Four high school girls get witchy and discover that with great power comes great responsibility…or something. Honestly, the messaging here is a little muddled, and what seems on the surface like a tale of female empowerment becomes more complicated upon a closer look. Honestly, we had no idea it was even possible to devote this much careful thought and analysis to a film like THE CRAFT. We impressed even ourselves is all we’re saying.