On this week’s episode, we open up the time capsule that is 1994’s THE CROW, directed by Alex Proyas. The late Brandon Lee stars as a deceased rocker who has risen from the dead to take revenge on the men responsible for the murder of he and his fiancee. With an aesthetic best described as Hot Topic meets Marilyn Manson, with an extra layer of grime and sludge, a Goth-riffic time will certainly be had by all. And yes, this was one of the biggest hits of 1994. It was a complex time, we swear.
How does one even attempt to top a film as revolutionary as Jean-Luc Godard’s French New Wave classic BREATHLESS? We try to find the answer as we take on 1983’s remake BREATHLESS, directed by Jim McBride. Richard Gere’s penis and Valerie Kaprisky’s breasts star as a couple of wild and crazy lovers who talk and bone their way through L.A. Somehow Jerry Lee Lewis and the Silver Surfer make their way into the proceedings, while McBride tries his hardest to showcase every ’80’s film trope on record. Color us shocked that this is one of Quentin Tarantino’s favorite films.
On this week’s episode, we tackle 2013’s desperately unfunny MEN IN BLACK wannabe R.I.P.D., directed by Robert Schwentke. Ryan Reynolds and Jeff Bridges play a couple of dead law enforcement officers forced to serve in the Rest In Peace Department, the afterlife’s version of the police. Will these two polar opposites manage to set aside their differences and work together to capture some escaped evil souls, a.k.a. Deados? Will Reynolds be able to make amends with his surviving wife? Will Bridges ever stop talking like he has a piece of candy stuck in his mouth?! Look, we will be honest with you: this entire episode is basically three inebriated guys doing bad Bridges impressions. So if that sounds like your type of thing, we got you covered!
This week, we here at SUMMER BLOCKBUSTER!?! have a spring in our step and a song in our heart as we discuss 2001’s gonzo musical MOULIN ROUGE!, directed by the one and only Baz Luhrmann. Ewan McGregor and Nicole Kidman play doomed lovebirds at the titular nightclub, where the activities taking place aren’t nearly as insane as the filmmaking on display. From the seizure-inducing imagery to the pop song mash-ups, you’ll swear you downed a bottle of absinthe by minute three. But does it all still hold up 18 years later? Follow the green fairy and find out!
Our month devoted to YA adaptations wraps up this week as we take on 2012’s coming-of-age dramedy THE PERKS OF BEING A WALLFLOWER, written and directed by Stephen Chbosky. Logan Lerman stars as an anxiety-ridden teenager who learns to navigate the living hell that is high school with a little help from new friends Emma Watson and Ezra Miller. All of this angst inspires nostalgia in co-hosts Luke and Steve, who weren’t always quite so surly. So take a trip down memory lane with us. It’s not as scary as it sounds, we swear.
Our YA adaptation month rolls on as we discuss 2013’s BEAUTIFUL CREATURES, directed by Richad LaGravenese and based on the novel by Kami Garcia and Margaret Stohl. Witches–sorry, casters–and mortals be fallin’ in love as a centuries-long battle between good and evil finally comes to a head in this campy piece of Southern Gothic that shockingly failed to impress its intended teen audience. This film is truly bonkers, and we mean that as a compliment. So grab yourself a mint julep and watch as numerous Oscar winners (Jeremy Irons! Viola Davis! Emma Thompson!) embarrass themselves, all in the name of that potential franchise money. It’s kinda glorious.
Our month of YA adaptations continues as we take on 2014’s DIVERGENT, directed by Neil Burger and based on the novel by Veronica Roth. In a post-apocalyptic Chicago, society has been divided into five factions, and conformity is the name of the game. But what happens when our heroine Tris discovers that free will is more deadly than corrupt government officials and Parkour-obsessed douthchebags? All we know for sure is that Theo James is one sexy dude, and that this film isn’t nearly as bad as its reputation might suggest. Hey, we’re just exercising our freedom of speech here. Suck our cognitive transmitters!
Our month devoted to YA adaptations continues as we discuss 2008’s infamous vampire romance TWILIGHT, directed by Catherine Hardwicke. Watch as a grown-ass man over 100-years-old seduces an emotionally-stunted high school girl! Swoon as he obsessively follows her everywhere and watches her sleep! Your heart will skip a beat as she destroys every other healthy relationship in her life to please this hunky monster! To say the messaging in this film is troubling–especially in 2019–is an understatement, although we’re not entirely convinced author Stephanie Meyer was even self-aware enough to understand what the hell she was writing. Hardwicke, on the other hand, has no such excuse for her ridiculous filmmaking flourishes. So it shouldn’t come as much of a surprise, then, that co-host Luke thinks this is one of the greatest films of all time. Team Jacob!!
SUMMER BLOCKBUSTER!?! is devoting the month of August to Young Adult adaptations, and we’re kicking things off by tackling one of the biggest: 2012’s THE HUNGER GAMES, directed by Gary Ross and based on the novel by Suzanne Collins. In a dystopian future where the wealthy and powerful rule the working class through violence and intimidation (oh, wait…), underdog heroine Jennifer Lawrence will participate in the annual titular event, where tweens and teenagers are forced to fight to the death. Will our dead-eyed protagonist make it to the end? Or will she get distracted by a love triangle that forces her to choose between a little boy who decorates cakes and Liam Hemsworth? Meanwhile, a supporting cast of veteran actors auditions for RuPaul’s Drag Race, while viewers everywhere wonder why they’re not just watching CATCHING FIRE again.
On this week’s episode, we take our first foray into the Jame Bond canon as we tackle 1989’s much-maligned LICENSE TO KILL, directed by John Glen. Timothy Dalton stars as the 007 agent, and this time, it’s personal, as he seeks revenge against the drug czar who left his best friend for dead after torturing him with a shark. We are not making this up. And here we thought this was supposed to be the gritty one. Throw in a diamond-sporting iguana, killer maggots, ninjas, an impossibly baby-faced Benicio Del Toro, and Wayne Newton as a lecherous television evangelist, and what you have could be one of the greatest films ever made. Well, we sure like it, anyway.