Our 2019 Month of Horrors Extravaganza concludes this week as we take on Rob Zombie’s 2009 version of HALLOWEEN II. What was once seen as a cinematic travesty is now heralded in certain circles as a modern-day horror masterpiece. But is there any truth in such bold claims? We try to get to the bottom of it all, white horse and all. Shockingly, what proves most divisive is Scout Taylor-Compton’s lead performance. We anxiously await co-host Luke to admit he is wrong. At least we can all agree that this is better than the last Michael Myers flick we discussed (ahem, RESURRECTION).
Our Month of Horrors Extravaganza continues this week as we tackle 1988’s remake of the sci-fi classic THE BLOB, directed by Chuck Russell. A ball of gelatinous goo has crash landed into a small Colorado town, and it isn’t long before this alien substance starts making a meal of the local residents. The body horror is strong with this one, with lots of goopy practical effects that make us very happy. Kevin Dillon’s mullet isn’t half-bad, either. A pleasant, gross surprise awaits you. OK, we could have worded that better.
Our Month of Horrors Extravaganza continues this week as we discuss 2009’s DRAG ME TO HELL, directed by Sam Raimi. Alison Lohman stars as a meek loan officer who angers the wrong old lady and winds up with an ancient Gyspy curse. She has got three days to figure out how to stop it before she’s dragged to…well, you know, it’s right there in the title. Raimi is back in EVIL DEAD mode here, but is this a true return to form? All we know for sure is that we never need to see anything enter or leave Lohman’s mouth again for as long as we live. That came across as dirtier than we wanted. Sorry.
The week, we are celebrating both our Month of Horrors Extravaganza and our 100th episode by taking on Nicolas Cage in his most deranged role–1989’s VAMPIRE’S KISS, directed by Robert Bierman. The Cagester himself stars as a publishing executive who becomes convinced that he is turning into a vampire, resulting in whole lot of bug-eyed looks, random hip thrusts, and an accent that can best be described as “unidentifiable.” And just when we thought things couldn’t get any better, the man puts in some plastic fangs. This could be a masterpiece.
This week, we kick off our annual Month of Horrors Extravaganza by taking on 1996’s teen thriller THE CRAFT, directed by Andrew Fleming. Four high school girls get witchy and discover that with great power comes great responsibility…or something. Honestly, the messaging here is a little muddled, and what seems on the surface like a tale of female empowerment becomes more complicated upon a closer look. Honestly, we had no idea it was even possible to devote this much careful thought and analysis to a film like THE CRAFT. We impressed even ourselves is all we’re saying.
On this week’s episode, we open up the time capsule that is 1994’s THE CROW, directed by Alex Proyas. The late Brandon Lee stars as a deceased rocker who has risen from the dead to take revenge on the men responsible for the murder of he and his fiancee. With an aesthetic best described as Hot Topic meets Marilyn Manson, with an extra layer of grime and sludge, a Goth-riffic time will certainly be had by all. And yes, this was one of the biggest hits of 1994. It was a complex time, we swear.
How does one even attempt to top a film as revolutionary as Jean-Luc Godard’s French New Wave classic BREATHLESS? We try to find the answer as we take on 1983’s remake BREATHLESS, directed by Jim McBride. Richard Gere’s penis and Valerie Kaprisky’s breasts star as a couple of wild and crazy lovers who talk and bone their way through L.A. Somehow Jerry Lee Lewis and the Silver Surfer make their way into the proceedings, while McBride tries his hardest to showcase every ’80’s film trope on record. Color us shocked that this is one of Quentin Tarantino’s favorite films.
On this week’s episode, we tackle 2013’s desperately unfunny MEN IN BLACK wannabe R.I.P.D., directed by Robert Schwentke. Ryan Reynolds and Jeff Bridges play a couple of dead law enforcement officers forced to serve in the Rest In Peace Department, the afterlife’s version of the police. Will these two polar opposites manage to set aside their differences and work together to capture some escaped evil souls, a.k.a. Deados? Will Reynolds be able to make amends with his surviving wife? Will Bridges ever stop talking like he has a piece of candy stuck in his mouth?! Look, we will be honest with you: this entire episode is basically three inebriated guys doing bad Bridges impressions. So if that sounds like your type of thing, we got you covered!
This week, we here at SUMMER BLOCKBUSTER!?! have a spring in our step and a song in our heart as we discuss 2001’s gonzo musical MOULIN ROUGE!, directed by the one and only Baz Luhrmann. Ewan McGregor and Nicole Kidman play doomed lovebirds at the titular nightclub, where the activities taking place aren’t nearly as insane as the filmmaking on display. From the seizure-inducing imagery to the pop song mash-ups, you’ll swear you downed a bottle of absinthe by minute three. But does it all still hold up 18 years later? Follow the green fairy and find out!
Our month devoted to YA adaptations wraps up this week as we take on 2012’s coming-of-age dramedy THE PERKS OF BEING A WALLFLOWER, written and directed by Stephen Chbosky. Logan Lerman stars as an anxiety-ridden teenager who learns to navigate the living hell that is high school with a little help from new friends Emma Watson and Ezra Miller. All of this angst inspires nostalgia in co-hosts Luke and Steve, who weren’t always quite so surly. So take a trip down memory lane with us. It’s not as scary as it sounds, we swear.